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Red Gaia
Udesh Chetty · South Africa
Since 2021 · Now monthly · Hollywood

The Original Independent AI Film Festival.

“It’s like an Academy Awards but for AI films — now monthly.”

— Ron Maggi, Actor
Best AI Short
Manas
Yihang Yang & Peize Wang · China
August 15 · Winner

This is what wins here.

Judged blind, screened one at a time, discussed on stage before the next film screens.

September 12 · Winners

Five films. Five countries. One afternoon.

Selected from more than 200 entries across 35 countries. Press Details on any tile.

Yuki poster
Andrei Sava
Director · Romania
Yuki
Best AI Short
Yuki
Dir. Andrei Sava · Romania · 2026 · 18 min · World Premiere
Jury: Best AI Short
Audience: Best Film · Best Use of AI

A woman and her dog come apart alongside the post-apocalyptic world around them. Sava built the film on a structural parallel and said so plainly when he joined the room from Bucharest: a civilization in collapse set against a living creature in a coma, two failures running at the same tempo. He drew the second from his own life. It is his second win at the festival.

Crownless & Bound poster
Taylor Matter
Taylor Matter
Director · United States
Crownless & Bound
Best Short Director
Crownless & Bound
Dir. Taylor Matter · United States · 2026 · 12 min · World Premiere
Jury: Best Short Director · Best Story
Audience: Most Surprising

Adapted from a scene in a novel Matter wrote, set in late 16th-century England, where a young commoner finds a rare gemstone. The film takes place inside a single building, which he modeled in Blender, textured in Adobe Substance 3D Painter, and completed by projecting photography onto the geometry and inpainting until the surfaces held. Only then did he shoot inside it, using Seedance and Runway, with AudioStack, Suno and ElevenLabs for sound. Asked from the floor what it cost, he said about $900.

Cracked Chimes poster
Scott Mongeau
Director · Netherlands
Cracked Chimes
Best Horror
Cracked Chimes
Dir. Scott Mongeau · Netherlands · 2026 · 18 min · World Premiere
Jury: Best Horror · Best International Short

Set in the 11th or 12th century, following a spiritually troubled English separatist. It opened the afternoon. Answering the first question of the day, Mongeau was precise about authorship: the imagery and voices were generative, while the score was written and produced by the composer Gregory Sharpen and is entirely original.

Nuance poster
Nicola Bettoni
Nicola Bettoni
Director · Italy
Nuance
Best Art Direction
Nuance
Dir. Nicola Bettoni · Italy · 2026 · 2 min
Jury: Best Art Direction

A two-minute study of a narcissistic fashion director.

Still poster
Jina Park
Jina Park
Director · South Korea
Still
Best Experimental
Still
Dir. Jina Park · South Korea · 2026 · 3 min · World Premiere
Jury: Best Experimental

A three-minute world premiere from South Korea.

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From the room

Red carpet, cameras rolling, exclusive interviews.

Global players — On Arrival. On Stage. On Screen.

Saurabh Gupta interviewed at the step and repeat
Saurabh GuptaCEO, Intellemo · India
Kai Pan interviewed at the step and repeat
Kai PanHead of marketing communications · Shanghai
Yang Liu interviewed at the step and repeat
Yang LiuAttendee · China
Murali Menon interviewed at the step and repeat
Murali MenonAttorney · Los Angeles
Takesumi Shindo interviewed at the step and repeat
Takesumi ShindoAI movie creator · Tokyo
Monika Hyacinth interviewed at the step and repeat
Monika HyacinthFounder, ODD Vision · Los Angeles
Jeff Antlocer interviewed at the step and repeat
Jeff AntlocerExecutive creative · Los Angeles
Elise Williams interviewed at the step and repeat
Elise WilliamsFilmmaker · California
Anil Barai interviewed at the step and repeat
Anil BaraiWriter & producer · Pasadena
Ze Yu Ren interviewed at the step and repeat
Ze Yu RenFilm student · China
Alix Cho at the festival
Alix ChoTranslator & assistant
A filmmaker interviewed on the red carpet
On the carpetEvery player interviewed
Michael Eng interviewed at the step and repeat
Michael EngFilmmaker · United States
Katya Romanovskaya on stage
Katya RomanovskayaPanelist · Gonka 2049
A crew filming an interview at the backdrop
The crewBoom, gimbal, monitor
Tarek Fahmy on stage
Tarek FahmyLive Q&A on stage
Rosaline Oketola on the red carpet
Rosaline OketolaOn the red carpet
Annetta Jabari on stage
Annetta JabariLive Q&A on stage

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Filmmaker voices

What the filmmakers say.

Eighty-five percent of the room is filmmakers and industry. This is built for the people making the work.

Arthur Machado

“The format is super engaging, it allows for discussions between the filmmakers and the audience after each film is screened. I got huge value out of it by connecting with extremely talented and creative filmmakers from all around the world, and getting real-time feedback from the artists and the audience.”

Arthur MachadoDirector, Modello Linguistico Divino · Brazil/New Zealand
Mila Albertson

“As a film professional, I drove 75 miles to see this festival, and it was worth it. Fantastic films, all of them, and it was fascinating to discuss each film interactively together with a panel of such wonderful international filmmakers and an engaged audience.”

Mila AlbertsonEditor & writer · US
Ron Maggi

“We had cutting-edge AI filmmakers from all over the world on Zoom discussing the tools they used and their motivations. The interaction between these filmmakers alone was worth the price of admission, but even the films themselves are really amazing.”

Ron MaggiActor · US
Andres Aloi

“Now that AI tools have democratized creativity, curation is more important than ever. During the festival, I was amazed at the quality of the selected films, and excited to interact with such talented creators via Zoom. As such, taking home two major awards was certainly an honor.”

Andres AloiDirector, The Abyss · Argentina
Gerardo Escudero Samara

“It was amazing. I do believe that the best AI films in the world right now were carefully selected for this. The screenings and selection were top notch.”

Gerardo Escudero SamaraAuthor & filmmaker, Robofauna · Panama
Jaron Stokes

“The discussions between the filmmakers were enlightening — filmmakers were critiquing each other’s works and discussing how they were made. The films were out of this world.

Jaron StokesArtist & model · US
Jonathan Perry

“It usually takes a year, hundreds of crew, and a medium budget to make a short film professionally. My film Railbound took us six weeks, around thirteen talented crew, and a quarter of the budget.”

Jonathan PerryCo-director, Railbound
Anina Net

“Artificial intelligence is not a threat, but an essential creative accelerator.”

Anina NetActress & fashion technologist
Jodie Heenan

“It’s leveling out the gatekeepers and opening it up for a lot more people to have exposure and opportunities in creative media.”

Jodie HeenanAI director & artist · Australia
Yang Liu

“AI is not cold. It’s also warm. It has its own temperature there.”

Yang LiuAttendee · China
Saurabh Gupta

“Any filmmaker now has the power to be shown to the world using AI. That is a remarkable empowerment.

Saurabh GuptaCEO, Intellemo · India

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Bert Holland and Scott Newman on stage with an award
Next festival · Los Angeles Performing Arts Conservatory

October 17.

Vol. 27 · AI International Film & Music Video Awards. Red carpet, welcome reception, screenings one at a time, unscripted Q&A after every film.

Days
Hours

● Previous festivals have sold out — booking early is advised

Bert Holland on stage at the festival
The jury

Judged blind. Every single time.

“We do not look at the name of the filmmaker, we do not look at the country they are from, we don’t care who they know. We watch only the film.

— Bert Holland, Founder & Executive Director
Fermin Branger and family on the red carpet
Submit · Deadline September 21

No connections. No agent. No problem.

No festival circuit connections. No agent. No festival in their country. None of it matters here, because none of it reaches the jury.

Regular deadline September 21 · screens November 14

Filmmakers from seven countries joining the festival live on screen
Where we are different

Not a playlist. A room.

Dancers around a bonfire from Ivan Kupala by Konstantin Tuchinsky
Two minutes from a recent show

This is what the films look like.

Winners from the August 15 festival in Hollywood.

A panel on stage with the audience in silhouette
The format

No PR filters. No scripted panels.

Audience awards. Jury awards. A red carpet. An afterparty. The conversation is real, and the room is full of the people who actually make this work.

85%of the room is filmmakers and industry
A panel of five speakers on stage at the festival
Voices from the stage

Serious people, serious questions.

Copyright, craft, labor and consent — argued on stage, not settled in a press release.

Copyright & Law Scott Mortman

“When you use somebody's data, images, or voice to build your model and don't compensate them for it, I don't know what else you call it other than stealing.

Scott MortmanAI Law & Ethics Professor · Purdue Global · SAG-AFTRA negotiations
The Tool Boris Eldagsen

“AI is like the tool I always have been waiting for, because the only limit now is imagination.”

Boris EldagsenPromptographer, lecturer, writer & director · “TECH-BRO VOMIT IN HD”
The Vision Zoubeir JLASSI

“AI is just a tool. It's powerful, yes, but it cannot replace your creativity, your sensitivity, your perspective. Don't wait for the producer to open the door for you.”

Zoubeir JLASSIGraphic designer & filmmaker · Director, “A Breath Apart” · Tunisia
Democratization Michael Cole

“I feel like AI is just moving in a direction where it's open to everybody. It's sort of trying to democratize what anybody can create.”

Michael ColeMotion designer & AI filmmaker · Director, “We Will We Will Prompt You”
Economics Stephen Gibler

“AI gives us open opportunity for filmmakers to spend $500,000 to make something that looks like $30 million. Kind of a District 9 type level quality.

Stephen GiblerProducer & Co-Head of AI, Sawhorse Productions
Craft Andy O.

“Making a movie still takes a lot of work. But maybe it doesn't take millions of dollars?

Andy O.OpenAI forum leader, AI product manager & designer
Regulation Rachel Greenhoe

There will be regulation. It's going to be written in blood. AI is a problem that is not going to be solved without enormous amounts of fraught regulation.”

Rachel GreenhoeScreenwriter & Actress
The Future Simone Bocchino

Hollywood and other major players are watching us. What's happening now is a very interesting rise in new generations of storytellers: people working with essentially no budget, creating amazing movies using AI.”

Simone BocchinoAward-winning AI artist & music producer · Director, “King Kong”

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Trending LA: AI International Film Festival, Where Every Voice Finds Its Stage
Press

What the press has said.

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A Japanese national broadcast crew filming at the festival
Watch on demand

Every winner, since 2021.

The whole archive streams on our channel — five years of award-winning AI related cinema from 70+ countries. Available on every smart TV, laptop, phone or tablet worldwide.

One organization

Six initiatives.

AI International Film Festival AI International Music Video Festival AI International Micro-Drama Festival AI International Advertising Festival AI International Winners Guild AI International Creator Guild

The Winners Guild is a community of winning AI filmmakers for mutual education and benefit. The Creator Guild is the community of all submitters, also for mutual education and benefit.

A performer outside the venue in Hollywood
About

A 501(c)(3) for the conversation AI is forcing.

Since 2021: 26 events, 3,100+ submissions, 2,650+ filmmakers, 70+ countries — and an in-person home in Hollywood supporting and educating filmmakers, technologists and the culturally curious.

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Submit · Sep 21 Tickets · Oct 17